Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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ABBATE, Niccolo dell
The Continence of Scipio

ID: 04636

ABBATE, Niccolo dell The Continence of Scipio
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ABBATE, Niccolo dell The Continence of Scipio


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ABBATE, Niccolo dell

Italian Mannerist Painter, ca.1512-1571 Italian painter. He was trained in Modena and developed his mature style under the influence of his contemporaries Correggio and Parmigianino in Bologna (1544 ?C 52). There he painted portraits and decorated palaces with frescoes of landscapes and figure compositions in the Mannerist style. In 1552 he was invited by Henry II of France to work under Primaticcio at the Palace of Fontainebleau, where he executed immense murals (most now lost). He remained in France the rest of his life. His mythological landscapes were a principal source of the French Classical landscape tradition, and he was a precursor of Claude Lorrain and Nicolas Poussin.  Related Paintings of ABBATE, Niccolo dell :. | The Rape of Proserpine (mk05) | The Continence of Scipio (mk05) | The Rape of Proserpine | The Continence of Scipio | The Continence of Scipio |
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gino severini
gino severini (1883 to 1966),Italian painter, mosaicist, stage designer and writer. One of the principal exponents of Futurism, he was an important link between French and Italian art. Although his most historically significant works were produced before World War I, he had a long career during which he continued to evolve his style, particularly in abstract schemes.
Pietro Graziani
Active in Naples during the first half of the 18th Century
Giovanni Paolo Pannini
1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.






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